Liz West Exhibition in Cardiff

Arcadecardiff is delighted to present the first exhibition in Wales by Liz West. Comprising new light work made site-specifically, the exhibition Zenith Blue + Primary Red features a physical demonstration of colour mixing and optics which fills the space with radiant colour and luminous light for visitors to explore.

Liz West uses multiple fluorescent sticklights to create intense colour blocks flooding the entire space with saturate light. By mixing primary red and zenith blue coloured light together, West demonstrates colour mixing in practice as the space is flooded with mauve and magenta. When the human eye focuses for a duration on either colour block, the complementary colour will be left on our retina as an afterimage when we turn away or close our eyes.

West creates vivid environments that mix luminous colour and radiant light. Reacting to the architectural space of Arcadecardiff, West has created a site-specific installation work which has transformed the room into an immersive and sensory experience. West aims to provoke a heightened sensory awareness in the viewer through her works. She is interested in exploring how sensory phenomena can invoke psychological and physical responses that tap into our own deeply entrenched relationships to colour.   

"Light is a wonderfully diverse material,” West explains. “I enjoy working with it as has the power to completely transform space and become a

--> physical and tangible entity for people to explore, feel and interact with” she says. “Saturate colour has the curious ability to conjure long forgotten memories and experiences. The meaning of each colour differs for each individual, making the exhibition a personal and sensory experience”. West added, “My interest in creating intense environments using artificial lights comes from my own need to be surrounded by light to trigger feelings of well-being as I have Seasonal Affective Disorder.” Liz West was the recipient of the Royal British Society of Sculptors Bursary Award in 2015 and is most widely known for her chromatic light installations which often take the form of immersive environments using the notions of colour theory and the science of light together to create optical and sensory experiences. 
  

 
Private Viewing: 6-8pm Wednesday 16 December 2015
Artist Talk: 12pm Thursday 17 December
Opening times: 12:30pm – 5:30pm. Wednesday to Saturday
 

ARCADECARDIFF
Unit 3b
Queens Arcade
Queen Street
Cardiff
CF10 2BY

www.liz-west.com

www.arcadecardiff.co.uk

Through No. 3 by Liz West

Castlefield Gallery is excited to be working in partnership with Allied London in commissioning artist Liz West to create a brand new installation for Spinningfields, Manchester.

Through No. 3 will be a six-metre long triangular corridor of light and colour installed on Crown Square in Spinningfields from the 25 November 2015 to Wednesday 6 January 2016.

Hot from her major commission An Additive Mix at National Media Museum, Bradford and a Bursary Award from the Royal British Society of Sculptors, Through No.3 continues West’s exploration of colour and light as primary material for artwork. The walk-through structure will encourage visitors to literally look at their surroundings in a different light.

Working across a variety of mediums, West creates vivid environments with the aim of provoking a heightened sensory awareness in the viewer. She is interested in exploring how sensory phenomena can evoke psychological and physical responses that tap into our own deeply entrenched relationships to colour. Her intuitive and often playful approach to making sculpture and art installations leads to visually rich works that viewers cannot fail but to be drawn into. Underpinning West’s practice is Josef Albers’ colour theories and his Bauhaus teachings, which she references alongside an informed understanding of Newtonian optics and Goethe’s theory of visual perception.

After graduating The Glasgow School of Art in 2007, West now lives and works in Manchester. She was recently commissioned by the Science Museum London to create a new installation for the National Media Museum, Bradford; she exhibited at The Crypt in Leeds Town Hall for Light Night Leeds (9 Oct 2015), and has recently been announced as one of 10 winners of the Royal British Society of Sculptors Bursary Awards 2015.

The commissioning of Through No.3 has been managed by Castlefield Gallery. “It has been a pleasure to work with Allied London properties, and Chief Executive Michael Ingall throughout the commissioning and development of this new artwork for Spinningfields. Michael understands the importance of artists and creative practitioners to place making, and so it is fantastic to have had Allied London’s commitment to the delivery of this exciting new artwork by artist Liz West for Spinningfields.” Kwong Lee, director, Castlefield Gallery.

Press enquiries: For further information, to request images or to arrange interviews, please contact: Jennifer Dean, Communications and Audience Development Coordinator on jennifer@castlefieldgallery.co.uk or call +44 (0)161 832 8034 - See more at: http://www.castlefieldgallery.co.uk/news/through-no-3-by-liz-west/#sthash.QYuT9pSy.dpuf

2014: My Year in Review

As we all try and combat the January blues (again), I find it a useful pick-me-up to reflect on the previous year hoping that it will serve up some interesting revelations.

2014 was a productive year for me; I entered the year being not quite sure what it was going to deliver (the same with any year), but as time passes more and more opportunities raise their head to me.

In January I was trying to focus on my studio practice and hit a massive creative block. I decided that in order to overcome this, I would start a daily project - I nicknamed this 'The Construction Project'. I would make, document and take apart a new idea every day I visited my studio, I would then write about the work on my blogs. This was a hugely useful experience as not only did it get my creative juices flowing again, it also allowed me to practice my writing skills.

Day 22 of my Construction Project

At the end of January I installed my work Vanishing Boundaries in The Studios at MediaCityUK as part of Future Cities and Quays Culture Sculpture Series in collaboration with Mark Devereux Projects. During its residency, I gave an artists talk at Salford University; I love doing talks, maybe its because I enjoy what I do, like talking and am comfortable with an audience (I wanted to be a Spice Girls as a youth and a ballerina or actress as a teen - this explains a lot!).

Vanishing Boundaries at MediaCityUK

In February I traveled to g39 in Cardiff as co-director of Mark Devereux Projects to take part in an In Conversation as part of the WARP programme. This trip was the first of many, in 2014 I saw more new spaces, met more people and visited more new places that ever before, this can not be a bad thing!

In March my proposal for an exhibition at Exeter Pheonix' Gallery 333 was successful and I set about fabricating, packing and instructing a new site-specific work to be shown for the month. It was the first time I have shown work in the South-West, I always enjoy hearing the responses of a new audience. As a result, my work was featured on the cover of the regional magazine Exeter Living. In the meantime I clambered on with my Construction Project, blogging daily.

In April I spent a lot of time in the studio and even more time perfecting my writing skills. I was startling to get better and felt more confident.

May brought some sunshine and also my first public outing for a couple of months; I presented my work for Cornerhouse's Show & Tell event alongside other North-West based practitioners and creatives. It was a fun day, but as always, it went too fast! As well as this, the long-awaited publication featuring my work and written by Jac Scott was released, The Language of Mixed Media Sculpture is an reference book including the work of 28 international artists. Before the Summer kicked off I was also commissioned by Adobe to create a digital artwork to help launch their new version of Creative Cloud.

June and July were a write-off! I indulged myself in a couple of family trips - one of which being my Hen-weekend in Carsingson Village and a week away with my mum in one of my most favourite places in the world: Southwold. My wedding followed in early July and then a honeymoon in Italy. Staying in Limone on Lake Garda and trips to Florence and Verona were culturally and artistically delicious. However, I did manage to slip in one cheeky artistic outing thanks to Turf Projects who commissioned me to make a crazy golf hole for their 9-hole PUTT PUTT #2 extravaganza in Croydon.

Colour Intervals in PUTT PUTT #2

As soon as our flight landed at Manchester airport in August my phone was ringing... I had been commissioned by Eden Arts to make a new work for Kendal Calling music festival in Cumbria as part of their Arts Council England funded Woodland Arts Trail. It was a fantastic opportunity to test a new work in the great outdoors. It rained all weekend, the music was good, the pies were even better and the work survived 4 horrendously wet days and nights. Success?

Beyond Space at Kendal Calling

In August I also took part in Bury International Summer School; a wonderful 5 days were spent getting to know great people. I must say that the food was amazing (thanks to Sue Trehy) and kept all our minds concentrated throughout. I made some wonderful connections which will hopefully lead to some AMAZING projects this year! Please watch this space...

At the end of August and throughout September I helped lead several workshops for LeftCoast in Blackpool. The aim was to share ideas with the great people of Blackpool to illuminate their bikes and dogs for two separate events: Ride The Lights and LumiDogs. I was also commissioned to design and light up loads of bikes for the event in which 10,000 people took to the promenade and ride their bikes underneath the famous Blackpool illuminations. A real spectacle and a privilege to be part of!

In the month I re-made, re-interpreted and installed my Barnaby Festival commission into Sevendale House in Manchester's Northern Quarter. This is still in situe if anyone wants to catch a glimpse before it comes down in March. I also found some time to move studios from the 2nd floor to the 4th floor at Rogue. Phew!

Consumed #2

At the end of September was Rogue Artists' Studios annual Open Studios event, which was a great success this year with more people attending that ever before. I was put in charge with all the marketing for the event as well as taking the job or Social Media officer for the studio group on a continuing basis. I made a new light installation that filled the whole of my space and allowed me to explore my new home. Thank you everyone who came, it was a great weekend. September was a CRAZY month!

Shifting Luminosity at Rogue Open Studios

At the Autumn drew in, so did the opportunity to create more light-works. At the beginning of October I took part in Light Night Leeds, where I created a brand new site-specific installation in Leeds Art Gallery. Thousands upon thousands of visitors came and saw the work, a great event to be part of! In October I also had a piece of writing published in online magazine EDGEcondition vol.3 Art & Architecture, have a read if you haven't already?

Intervals at Leeds Art Gallery

Mid-way through October, I took the opportunity to go on my first artist residency to Kurt Schwitters Merz Barn at the Cylinders Estate in Cumbria. I blogged about my experience every day. It was a tough week as I had, by this point in the year, started to totally pull apart and reassess my practice. The residency acted as a well-timed retreat, where I took time to think, draw plans and read a lot. Thank god I went with friend and fellow-artist Alana Tyson for moral support.

In November I had my work included in Hanover Projects' In The City publication as well as featuring on the cover and inside The University of Texas publication/journal Reunion: The Dallas Review. I am gathering a nice little collection of books that my work has featured in, they all sit there on my shelf, in date order...

The Dallas Review

At the end of November I was asked to write a piece for A-N News about the 30th anniversary of Castlefield Gallery. This really tested my writing skills and was a very useful exercise. More of that please? I also did some filmed with A-N for a new film they are making about their bloggers, all will be revealed soon!

I installed new work at Airspace Gallery in Stoke-on-Trent for their In The Window space, this allowed me to create another site-responsive work, this time using cellulose acetate and florescent bulbs. A wonderful opportunity to see the development of my practice and the working-up of fresh ideas in the flesh.

Assaulting the Asphalt at Airspace Gallery

To finish off the year with a bang, I was approached by I-D Magazine and Vice Magazine in New York who were/are making a series of documentaries about obsessed collectors. Me being the Guinness World Record holder for having the Largest collection of Spice Girls memorabilia was a perfect subject for one of their films. The filming took place in December and was tiring but fun... not as glamorous as you imagine and involved leather trousers (I will say no more). The mini documentary will be shown in the Spring via online channel Noisey TV.

Me with some of my Spice Girls stage costumes on the I-D shoot

So, there it is! My 2014. It was a good one personally and professionally. Thanks to everyone who made it so brilliant. x

Exhibition: Assaulting the Asphalt at Airspace Gallery, Stoke-on-Trent

Assaulting The Asphalt - LIZ WEST 

IN THE WINDOW EXHIBITION 

Dec 17th, 2014 - Jan 11th, 2015   

Assaulting the Asphalt explores Liz West’s research into the relationship colours have to each other and how they affect the spaces they inhabit.  

West's investigation into the relationship between colour and light is often realised through an engagement between materiality and a given site. Within physical and architectural space, West uses light as a material that radiates outside of its boundaries and containers. She playfully refracts light through using translucent, transparent or reflective materials, directing the flow of artificial light. Our understanding of colour can only be realised through the presence of light. By playing and adjusting colour, West brings out the intensity and composition of her spatial arrangements.  

These ephemeral interventions forge new spaces and environments, by flooding a physical site with a rich mixture of light. By limiting her use of materials, West simultaneously challenges herself to focus on arrangements rather than an array of colours. In a recent series of spatial light works based on research into colour theory and light fields she has transformed architectural spaces.  

The saturated light in this work casts sumptuously vivid colour reflections out of its container, through the window and reflects onto the asphalt below. The Winter darkness outside raises the strength of the illumination and colouration in the work.  

Luminous colours are “colours that escape their containers and bleed onto the street; they deliver what colour always promises but doesn’t always achieve: a release from the surfaces and materials that support it, a release that leads to the fleeting magic of the ‘fiery pool reflecting in the asphalt’.” 

– David Batchelor (The Luminous and the Grey, Reaktion Books, 2014)